“I feel just like Julia Roberts in Pretty Woman. You know, except for the whole hooker thing.”
If any film could hope to challenge Clueless as the ultimate high school movie, surely it’s She’s All That. So filled with clichés that in some ways it’s difficult to figure out whether it was the first of its kind or just another lame copy, it’s stupid but likeable, with an impressive cast including Freddie Prinze Jr, Rachael Leigh Cook, the late Paul Walker (I always forget he’s in it), Anna Paquin, Clea Duvall, Kieran Culkin – even Usher pops up, proving the movie’s pop-culture credentials, and so does Sarah Michelle Gellar, for a split second, in homage to the fact that this was shot in the same school as Buffy the Vampire Slayer.
To be honest, it’s quite difficult to review She’s All That without being constantly reminded of Not Another Teen Movie, which quite perfectly parodied the more ridiculous moments – and, the fact that it’s this film that forms the basis of the spoof’s plot indicates how popular and influential it was. Cook is Laney Boggs, an anti-social poor girl filled with inner darkness, as evidenced by her moody abstract art. She’s beautiful, of course, but has the misfortune of wearing glasses, never plucking her eyebrows, and wearing paint-covered dungarees (see, I’m already slipping into Not Another Teen Movie…) Nevertheless, she’s the one popular-but-recently-dumped jock-hunk Zac (Prinze Jr) is tasked with transforming into the prom queen – the result of a bet between him and his jock buddy Dean (Walker). To be fair, she is not considered a challenge because of her looks, really, but because of her personality – but, naturally, a makeover is imminent, thanks to Zac’s sister Mackenzie (Paquin), and it seems to be mostly a result of her newfound contact lenses that, overnight, inexplicably, she becomes the most popular girl in school.
There are actually quite a few interesting possibilities borne out of this new popularity, but the film mostly ignores them. Honestly, if you scratch the surface of this movie, there’s mostly just more surface, and attempting any in depth analysis is a fairly pointless exercise. Laney’s nomination for prom queen doesn’t make her become a brat (a la Cady in Mean Girls, for example) but it does appear to bring all the nerds out of the woodwork – whereas the school initially seemed to be entirely populated by beautiful twenty-somethings (Walker was twenty-six; the only person even close to being actual high school age was Paquin, and she looks like a child in comparison; on a side note, realising this made me feel particularly old), following her nomination the student-extras more fully represent the less fortunate too. Yet this isn’t a “nerd-uprising” sort of film, and the likes of the Hygiene Club remain firmly in the background. There’s never even the slightest pause to consider how Laney actually feels about her makeover – she stops wearing her glasses but continues with her (more figure-hugging) paint-covered clothes, for example. What matters is not the exterior changes, but the internal ones – having avoided her classmates for years, she finally begins to realise that they’re not all as bad as she might have thought. Of course, some of them are precisely as bad as she thought: Dean has ulterior motives, while Zac’s ex Taylor will let nothing stop her from becoming prom queen. While Taylor is the pre-Mean Girls mean girl, her new flame, reality “star” Brock Hudson (Matthew Lilliard) is great fun – egotistical, self-obsessed and utterly deluded, his overly energetic moronics brighten up the film and provide arguably the best dance scene of the piece (sorry Usher, the prom dance is unexpected, but Brock’s fist-pumping worm takes the biscuit).
Seeped in pop-culture of the 90s, perhaps I’m again showing my age when I say that in many ways the film hasn’t dated as badly as it might have. Yes, there are several references to Hanson and yes, kids today might not know what The Real World is, but it’s by no means inaccessible today. Its biggest problem (if you can call it that) is the fact that, like I said earlier, everything seems so clichéd – and even that’s not really its own fault, but that of Not Another Teen Movie. Everything in this film reminds me of that one: the token black guy who features solely to react in exaggerated ways to the white kids; Laney contemplating her latest expression of artistic pain, which is really not particularly good, but we’re supposed to think it is; her father’s strange terms of endearment (“pumpkin nose”?!); Zac’s misunderstood rich-boy problems; Laney refusing to let anyone see her cry at the party… Every moment has been lampooned, highlighting the inanity of it all, and it’s really difficult for me to separate the two movies now. Yet I’ll happily watch She’s All That any time – its lead actors have a nice chemistry, its got a happy ending and, while I remember Clueless with great fondness from my childhood, it’s this film that captures the essence of my teen years. Besides, any film with a Buffy cameo gets my vote.