“You egg-sucking purple pinhead! The Rangers are going after the Great Power! I thought you said this guy was the master of disaster. He’s nothing but a slime-infested jelly donut!”
It’s nostalgia time! Much like Masters of the Universe, Power Rangers: The Movie holds little appeal for anyone who didn’t make the mighty morphin’ teenagers a part of their youth. Watching this on old, secondhand (or thirdhand, or fourthhand) VHS, with the sound fading in and out on a regular basis, I was transported back to the mid-90s, when everyone wore colour-coordinated crop tops (including the guys), roller-blading was the coolest thing ever, and all dialogue had to be heavily punctuated by emphatic ninja-esque hand gestures. Yes, the Power Rangers were camp and daft, but they were hugely successful – over the years there have been many new incarnations (with the show still airing on television), but the movie charts the latest exploits of the original, and best, bunch.
Power Rangers: The Movie has the standard, generic plot of most childhood movies: our heroes’ lives are suddenly thrown into turmoil with the reawakening of Ivan Ooze (Paul Freeman), a fiendish villain who had been trapped in a giant buried egg full of gunk for the last six thousand years. Finally freed, he quickly traps the television show’s resident baddies Rita Repulsa and Lord Zedd, trashes the Rangers’ command center and leaves their leader, Zordon, for dead. Summoning the last bit of power available, loyal C-3P0 rip-off robot Alpha 5 pauses in her constant flapping to beam the Rangers off to a remote planet in search for the Great Power, which may restore Zordon and stop the nefarious Ooze from taking over the world.
While most of the staple characters and locations from the television show are acknowledged, this makes pains to distinguish itself as something new (and bigger), and it doesn’t always work. Angel Grove’s resident bullies Bulk and Skull get a few cursory scenes, which seem particularly out of place if you’re not familiar with the tv series. Although it appears that none of the Rangers have parents, the adult population of the fictional town are given some more screentime, becoming oozified zombies thanks to Ooze’s ooze (yes, really) – luckily he still cares about health and safety and gives them all matching outfits and hardhats while they dig up the giant Ectomorphicon Titans (the film’s full of this kind of pseudo-scientific dialogue) that will help him conquer Earth. The titans, when they are finally unveiled, turn out to be giant, shiny, metallic, and supremely dodgy early CGI creations.
The CGI doesn’t stop there, and nor do the alterations. Most disappointingly, the Power Rangers, stripped of their powers early on in the film, never get a chance to fight with their established Zords (the big robots they call from afar to help them fight their battles). In the series, each Ranger would call its Zord, which were cool creatures like Sabretooth tigers, Tyrannosaurus Rexes, and Mastodons, at which point the stock footage from another Japanese show would kick in. Here, on the distant planet Phaedos, the kids are given new animal guides, and the film’s final set piece back on Earth sees them fighting with these new Zords – Crane, Ape, Bear, Falcon, Wolf and… Frog. Even the most ferocious of these is no match for the much cooler prehistoric Zords they’d started of with, and the lack of familiarity is disappointing. The CGI doesn’t help – the fight scenes are a jumble of shoddy effects and rushed imagery, revealing the film’s age more than even the naffest of 90s tropes.
And what of the Rangers themselves? Like He-Man in Masters of the Universe they are the blandest bunch of teens imaginable and, despite being the film’s protagonists, have a mere handful of lines and no character development whatsoever. Tommy, the former brainwashed Green Ranger-turned White Ranger and leader of the gang, and Kimberly (the hot Pink Ranger) at least seem to be vaguely human; the rest interchangeable, distinguished (and characterised) solely by the colour of their outfits, and are only relevant when fighting the latest group of bad guy minions. While the film takes great pains to show the reactions of each individual Ranger at all times, as a group they are utterly devoid of personality. As usual, it’s their evil nemesis who brings some theatricality to the story; Ooze is flamboyant and wicked, generic but a perfectly acceptable (and expected) kind of villain for a family-friendly kids movie of this kind. It’s just a shame that Rita Repulsa and Lord Zedd are so quickly consigned to miniature form and sidelined – each individually easily matches Ooze’s camp personality.
Despite the various problems and, it must be said, disappointments that come along with the film, Power Rangers: The Movie races along – there’s plenty of action to make up for the lack of personality, and the soundtrack in particular really works to convince the viewer that what they’re watching is impressive and important. The pacing is brisk and the various set pieces offer some new (generally mediocre) spectacle to distract from the fact that the story is ridiculous, the acting is sub-par, and the effects are fairly terrible. Admittedly, it’s not actually as camp and fun (in a badfilm sense) as Masters of the Universe, but the nostalgia value was high (this was the very first movie I saw at the cinema without my parents – probably because they’d have done anything to avoid having to sit through it) and, for that reason at least, I left my cynicism (and criticism) at the door and enjoyed the stupidity.